The Cars

The Cars is the debut studio album by American new wave band The Cars, released on June 6, 1978, by Elektra Records. The album was managed by longtime producer Roy Thomas Baker, and spawned several hit singles, including "Just What I Needed", "My Best Friend's Girl", and "Good Times Roll", as well as other radio and film hits such as "Bye Bye Love" and "Moving in Stereo". The Cars peaked at number 18 on the US Billboard 200 albums chart, and has been certified six-times platinum by the Recording Industry Association of America (RIAA). Background Formed in Boston in 1976, the Cars consisted of Ric Ocasek, Benjamin Orr, Elliot Easton, David Robinson, and Greg Hawkes, all of whom had been in and out of multiple bands throughout the 1970s. After becoming a club staple, the band recorded a number of demos in early 1977. Some of these songs later appeared in finished form on The Cars, such as "Just What I Needed" and "My Best Friend's Girl", while others were saved for a later release, such as "Leave or Stay" and "Ta Ta Wayo Wayo" (both of which later saw release on their 1987 album Door to Door). The demos for "Just What I Needed" and "My Best Friend's Girl" were often played on Boston radio by DJ Maxanne Sartori, giving the band frequent airplay. Both Arista and Elektra attempted to sign the band, but in the end, Elektra was chosen, due to its lack of new wave acts, allowing the band to stand out more than they would have had they signed with the new wave-heavy Arista. Robinson said of the choice, "Here they had the Eagles and Jackson Browne, and along comes this crazy Boston band who wanted a black-and-white photo collage on their cover." Music and lyrics Musically, The Cars has been described as new wave, power pop, and synth-rock. It featured a large amount of technology on many of its tracks, due to the band's appreciation for new equipment. Robinson said, "We'd always get the latest stuff from music stores even if it would be obsolete in two months. It reached the point where I'd have 10 or 12 foot switches to hit during a short set." The album also is notable for frontman Ocasek's use of irony and sarcasm. Keyboardist Hawkes said, "There was definitely a little self-conscious irony in there. We started out wanting to be electric and straight-ahead rock, and it kind of turned into an artier kind of thing."