David Doubilet

David Doubilet (born November 28, 1946) is an underwater photographer known primarily for his work published in National Geographic magazine, where he is a contributing photographer and has been an author for 70 feature articles since 1971. He was born in New York City and started taking photos underwater at the young age of 12. He started with a Brownie Hawkeye in a rubber anesthesiologist's bag to keep the water out of the camera. He lived with his family in New York City and spent summers in Elberon New Jersey exploring the Atlantic . He later worked as a diver and photographer for the Sandy Hook Marine Laboratories in New Jersey and spent much of his youth in the Caribbean as a teenage dive instructor in the Bahamas where he found his motivation to capture the beauty of the sea and everything in it. His wife is the photographer Jennifer Hayes. Photography Doubilet's passion for underwater photography is inspired by environmentalism: "The desire to make an image that makes people think about, fall in love with, and protect the sea." His goal as a photographer is to "redefine photographic boundaries" every time he enters the water. "We always try to add one more step, one more piece of vision, one more piece of technology. Where technology meets dreams, you make photographs," he explained during a 2011 interview. "How can I illustrate this? How can I make this picture something more than what we see, something more exciting and put it on the page that incorporates the poetry, and the environment, and the atmosphere of a place that you're shooting? I think that that's the biggest challenge." In order to capture underwater wildlife, he takes several cameras, lenses and underwater strobes (flash systems) on each of his trips, primarily Nikon digital SLRs with ultra wide angle and Micro (macro) lenses, Sea & Sea strobes and SeaCam housings. Doubilet was one of the pioneers of underwater photography in respect to the split field image technique also called over/under images that include elements both above and below water in a single image, with both rendered in focus. This calls for an ultra wide angle lens used at a small aperture in a housing with a dome (not flat) port.