Overview
United Productions of America, better known as UPA, was an American animation studio and later distribution company founded in 1941 as Industrial Film and Poster Service by former Walt Disney Productions employees. Beginning with industrial and World War II training films, UPA eventually produced theatrical shorts for Columbia Pictures such as the Mr. Magoo series. In 1956, UPA produced a television series for CBS, The Boing-Boing Show, hosted by Gerald McBoing Boing. In the 1960s, UPA produced syndicated Mr. Magoo and Dick Tracy television series and other series and specials, including Mister Magoo's Christmas Carol. UPA also produced two animated features, 1001 Arabian Nights and Gay Purr-ee, and distributed Japanese films from Toho Studios in the 1970s and 1980s.
The UPA library was later purchased by Universal Pictures, after their successful acquisition of DreamWorks Animation.
History
Origins
UPA was founded in the wake of the Disney animators' strike of 1941, which resulted in the exodus of a number of long-time Walt Disney Animation Studios staff members. Among them was John Hubley, a layout artist who was unhappy with the ultra-realistic style of animation that Disney had been utilizing. Along with a number of his colleagues, Hubley believed that animation did not have to be a painstakingly realistic imitation of real life; they felt that the medium of animation had been constrained by efforts to depict cinematic reality. Chuck Jones' 1942 cartoon The Dover Boys had demonstrated that animation could freely experiment with character design, depth, and perspective to create a stylized artistic vision appropriate to the subject matter. Hubley, Bobe Cannon, and others at UPA, sought to produce animated films with sufficient freedom to express design ideas considered radical by other established studios.
In 1941, Zack Schwartz, David Hilberman, and Stephen Bosustow formed a studio called first Industrial Film and Poster Service, where they were free to apply their new techniques in film animation. Finding work (and income) in the then-booming field of wartime work for the government, the small studio produced a cartoon sponsored by the United Auto Workers (UAW) in 1944. Hell-Bent for Election was directed by Chuck Jones and was produced for the reelection campaign of FDR. The film was a success, and it led to another assignment from the UAW, Brotherhood of Man (1945). The film, directed by Bobe Cannon, advocated tolerance of all people.
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