Twelfth Night

Twelfth Night is a 1933 American Pre-Code short color film, notable as the very earliest surviving film directed by Orson Welles, then aged 17. It is a recording of the dress rehearsal of Welles's own abridged production at his alma mater, the Todd School for Boys, where he had returned to direct this adaptation of Shakespeare's Twelfth Night for the Chicago Drama Festival in 1933. The play won first prize at that year's festival, presented as part of the 1933 Chicago World's Fair, A Century of Progress Exposition. Production After Orson Welles's return from Europe, his friend and former headmaster Roger Hill invited him to join the Todd faculty and co-direct the Todd School's production of Twelfth Night. Using the edited version of the play that would appear in their book Everybody's Shakespeare (1934), Welles designed the costumes and conceived and created the set. The production made use of Kenneth Macgowan's concept of having the stage as a giant open book, with the turning pages being changes of scenery, painted by Welles himself. Using a color motion picture camera loaned to him by Hill, Welles increased the lighting and filmed most of a dress rehearsal — his very first film. Welles operated the camera himself, leaving it in a static position in the auditorium. A silent film camera was used, but Welles later recorded an accompanying narration on a gramophone disc. Hill suggested to Welles that he film the play, wrote biographer Frank Brady, who viewed the result firsthand: The print that I saw of Orson's Twelfth Night in Roger Hill's living room in Miami, a half-century later, was still perfectly preserved with rich color and quite professionally focused but without any camera movement, or pronounced flourishes or angles. It was simply shot from one point of view, perhaps from the middle of the tenth row of the theater: an amateur recording of the play on film rather than a piece of cinema.