The Kinks Are the Village Green Preservation Society

The Kinks Are the Village Green Preservation Society is the sixth studio album by the English rock band the Kinks. Released on 22 November 1968, Village Green is regarded by commentators as an early concept album. A modest seller on release, it was the band's first studio album which failed to chart in either the United Kingdom or United States, but was lauded by contemporary critics for its songwriting. It was embraced by America's new underground rock press, completing the Kinks' transformation from mid-1960s pop hitmakers to critically favoured cult band. Bandleader Ray Davies loosely conceptualised the album as a collection of character studies, an idea he based on Dylan Thomas's 1954 radio drama Under Milk Wood. Centring on themes of nostalgia, memory and preservation, the album reflects Davies's concerns about the increasing modernisation and encroaching influence of America and Europe on English society. Musically an example of pop or rock music, the album incorporates a range of stylistic influences, including music hall, folk, blues, psychedelia and calypso. It was the first album which Davies produced on his own and was the last to feature the original Kinks line-up, as bassist Pete Quaife departed the band in March1969. It also marked the final collaboration between the Kinks and session keyboardist Nicky Hopkins, whose playing features heavily on piano, harpsichord and Mellotron. Other than "Village Green", which was recorded in November1966 and re-recorded in February1967, sessions for the album began in March1968 at Pye Studios in London. In addition to the non-album singles "Wonderboy" and "Days", the sessions resulted in numerous tracks, some of which went unreleased for years. The album's planned September1968 release was delayed by two months in the UK after Davies's last-minute decision to rearrange and augment the track listing, though release of the earlier twelve-track edition went ahead in several European countries. The album had no accompanying lead single in the UK, though "Starstruck" was issued in the US and Europe. Despite its initial commercial shortcomings, Village Green has influenced numerous musical acts, especially American indie artists from the late 1980s and 1990s and Britpop groups like Blur and Oasis. Driven in part by this influence, the album experienced a critical and commercial resurgence in the 1990s, and it has been reissued several times, including an expanded edition in 2018.