Overview
The Corporation is a 2003 Canadian documentary film written by University of British Columbia law professor Joel Bakan and filmmaker Harold Crooks, and directed by Mark Achbar and Jennifer Abbott. The documentary examines the modern corporation. Bakan wrote the book The Corporation: The Pathological Pursuit of Profit and Power during the filming of the documentary.
A sequel film, The New Corporation: The Unfortunately Necessary Sequel, was released in 2020.
Synopsis
The documentary shows the development of the contemporary business corporation, from a legal entity that originated as a government-chartered institution meant to affect specific public functions, to the rise of the modern commercial institution entitled to most of the legal rights of a person. The documentary concentrates mostly upon corporations in North America, especially in the United States. One theme is its assessment of corporate personhood, as a result of an 1886 case in the Supreme Court of the United States in which a statement by Chief Justice Morrison Waite led to corporations as "persons" having the same rights as human beings, based on the Fourteenth Amendment to the United States Constitution.
Topics addressed include the Business Plot, where in 1933, General Smedley Butler exposed an alleged corporate plot against then-U.S. President Franklin D. Roosevelt; the tragedy of the commons; Dwight D. Eisenhower's warning people to beware of the rising military–industrial complex; economic externalities; suppression of an investigative news story about Bovine Growth Hormone on Fox affiliate television station WTVT in Tampa, Florida, at the behest of Monsanto; the invention of the soft drink Fanta by The Coca-Cola Company due to the trade embargo on Nazi Germany; the alleged role of IBM in the Holocaust (see IBM and the Holocaust); the Cochabamba protests of 2000 brought on by the privatization of a municipal water supply in Bolivia; and in general themes of corporate social responsibility, the notion of limited liability, the corporation as a psychopath; and the debate about corporate personhood.
Through vignettes and interviews, The Corporation examines and criticizes corporate business practices. The film's assessment is affected via the diagnostic criteria in the DSM-IV; Robert D.
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