The Burial of Kojo

The Burial of Kojo is a 2018 Ghanaian drama film written, composed and directed by Blitz Bazawule. Produced by Bazawule, Ama K. Abebrese and Kwaku Obeng Boateng, it was filmed entirely in Ghana on a micro-budget, with local crew and several first-time actors. The film tells the story of Kojo, who is left to die in an abandoned gold mine, as his young daughter Esi travels through a spirit land to save him. It had its world premiere in New York on 21 September 2018, at the Urban World Film Festival, where it was recognized as Best Narrative Feature (World Cinema). The film received nine nominations at the 15th Africa Movie Academy Awards and won two, including Best First Feature Film by a Director. It is distributed by ARRAY and was released on streaming service Netflix on 31 March 2019, making it the first Ghanaian film to premiere in selected countries worldwide, on Netflix. Plot Esi recounts her childhood in rural Ghana, where she lives in a village in a lake similar to the real-life village, Nzulezo, built on stilts, with her father Kojo and her mother Ama, who supplies most of the family's small income through sewing. Kojo grew up in a large city but fled to the village after a tragic event, feeling that "only water could cleanse the past." Esi is close to her father, who takes her around the lake in his boat and tells her stories whose beginnings only make sense if you know their endings. An unexpected visitor — an old blind man from "the realm in-between" where "everything is upside down" — arrives in the village and entrusts Esi with a sacred white bird that he says is being hunted by the crow who rules the land in-between. Soon thereafter, the family receives another unexpected visitor — Esi's uncle Kwabena, from whom Kojo has been estranged. Kwabena persuades Kojo to bring his family to the city from which Kojo had fled seven years before. There, they live with Esi's grandmother, with whom Esi watches a Spanish-language Mexican telenovela featuring a conflict between two brothers who love the same woman. It transpires that Kojo and Kwabena had also once loved the same woman, who had died on the day of her wedding to Kwabena due to Kojo driving drunk. Kwabena, however, says that the past is the past, and wants Kojo to join him in illegal small-scale gold mining to make money. Initially reluctant, Kojo is finally persuaded, and goes with his brother to an old mine on property now owned by a Chinese company.