Rosicrucianism

Rosicrucianism is a spiritual and cultural movement that arose in Europe in the early 17th century after the publication of several texts announcing to the world a new esoteric order. Rosicrucianism is symbolized by the Rosy Cross or Rose Cross. Between 1610 and 1615, two anonymous manifestos appeared in Germany and soon after were published throughout Europe. The Fama Fraternitatis Rosae Crucis (The Fame of the Brotherhood of the Rosy Cross) was published at Cassel in 1614, though it had been circulated in manuscript among German occultists since about 1610. Johannes Valentinus Andreae has been considered the possible author of the work. A literal reading narrates the travels and education of "Father Brother C.R.C." and his founding of a secret brotherhood of similarly prepared men. Names, numbers, and other details have Cabalistic allusions, in which the cognoscenti of that era were well versed. The Confessio Fraternitatis (The Confession of the Brotherhood of RC), published in Frankfurt in 1615, responded to confusions and criticisms and elaborated the matter further. Many were attracted to the promise of a "universal reformation of mankind" through a science "built on esoteric truths of the ancient past", which, "concealed from the average man, provide insight into nature, the physical universe, and the spiritual realm", which they say had been kept secret for decades until the intellectual climate might receive it. The manifestos elaborate these matters extensively but cryptically in terms of Qabalah, Hermeticism, alchemy, and Christian mysticism, subjects whose methods, symbolism, and allusions were ardently studied by many intellectuals of the period. In 1617 a third anonymous volume was published, the Chymical Wedding of Christian Rosenkreutz. In his posthumously published autobiography, Johann Valentine Andreae acknowledged its origin in a romantic fantasy that he wrote before he was 16 years old (1602), among other likewise forgotten juvenilia, and which he elaborated in response to the Fame and Confession, and said of it that "the Chymical Wedding, with its fertile brood of monsters, a ludibrium which surprisingly some esteem and explicate with subtle investigations, is plainly futile and betrays the vanity of the curious" (Nuptiae Chymicae, cum monstrorum foecundo foetu, ludibriu, quod mireris a nonullis aestimatum et subtili indagine explicatum, plane futile et quod inanitatem curiosorum prodat).