Jack Nitzsche

Bernard Alfred "Jack" Nitzsche ( ; April 22, 1937 – August 25, 2000) was an American musician, arranger, songwriter, composer, and record producer. He first came to prominence in the early 1960s as the right-hand-man of producer Phil Spector, and went on to work with the Rolling Stones and Neil Young, among others. He also worked extensively in film scores, notably for the films Performance, The Exorcist and One Flew Over the Cuckoo's Nest. In 1983, he won the Academy Award for Best Original Song for co-writing "Up Where We Belong" with Buffy Sainte-Marie. Life and career Nitzsche was born in Chicago and raised on a farm in Newaygo, Michigan, the son of German immigrants. He moved to Los Angeles in 1955 with ambitions of becoming a jazz saxophonist. He was hired by Sonny Bono, who was at the time an A&R executive at Specialty Records, as a music copyist. While there, Nitzsche wrote a novelty hit titled "Bongo Bongo Bongo". Nitzsche wrote with Bono the song "Needles and Pins" for Jackie DeShannon, later recorded by the Searchers. His instrumental composition "The Lonely Surfer" entered the Cash Box top 100 on August 3, 1963, and reached No. 37. He became arranger and conductor for producer Phil Spector, and orchestrated the Wall of Sound for almost all Spector's hits, perhaps best exemplified by "River Deep, Mountain High" by Ike and Tina Turner. Nitzsche worked with Earl Palmer, Leon Russell, Roy Caton, Glen Campbell, Carol Kaye and Hal Blaine in The Wrecking Crew, the backing band for many pop acts such as the Beach Boys and the Monkees. Nitzsche arranged the title song of Doris Day's film Move Over, Darling, which was a successful single on the pop charts of the time. While organizing the music for the T.A.M.I. Show television special in 1964, he met the Rolling Stones and went on to play keyboards on their albums The Rolling Stones, Now! (The Rolling Stones No. 2 in the UK), Out of Our Heads, Aftermath and Between the Buttons as well as on their hit singles "Paint It, Black" and "Let's Spend the Night Together"; he also wrote the choral arrangements for "You Can't Always Get What You Want". In 1968 he introduced the band to slide guitarist Ry Cooder, a seminal influence on the band's 1969–1973 style.