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Group of Seven

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Group of Seven across IJR

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Overview

The Group of Seven, once known as the Algonquin School, was a group of Canadian landscape painters from 1920 to 1933, originally consisting of Franklin Carmichael (1890–1945), Lawren Harris (1885–1970), A. Y. Jackson (1882–1974), Frank Johnston (1888–1949), Arthur Lismer (1885–1969), J. E. H. MacDonald (1873–1932), and Frederick Varley (1881–1969). A. J. Casson (1898–1992) was invited to join in 1926, Edwin Holgate (1892–1977) became a member in 1930, and Lionel LeMoine FitzGerald (1890–1956) joined in 1932. Two artists commonly associated with the group are Tom Thomson (1877–1917) and Emily Carr (1871–1945). Although he died before its official formation, Thomson had a significant influence on the group. In his essay "The Story of the Group of Seven", Harris wrote that Thomson was "a part of the movement before we pinned a label on it"; Thomson's paintings The West Wind and The Jack Pine are two of the group's most iconic pieces. Believing that a distinct Canadian art could be developed through direct contact with nature, the Group of Seven is best known for its paintings inspired by the Canadian landscape, and initiated the first major Canadian national art movement. The Group was succeeded by the Canadian Group of Painters in 1933, which included members from the Beaver Hall Group who had a history of showing with the Group of Seven both nationally and internationally. Collections Large collections of work of the Group of Seven are located at the Art Gallery of Ontario in Toronto, the National Gallery of Canada in Ottawa as well as the Ottawa Art Gallery (home to The Firestone Collection of Canadian Art) and the McMichael Canadian Art Collection in Kleinburg, Ontario. The National Gallery, under the directorship of Eric Brown, was an early institutional supporter of artists associated with the Group, purchasing art from some of their early exhibitions before they had identified themselves officially as the Group of Seven. The Art Gallery of Ontario, in its earlier incarnation as the Art Gallery of Toronto, was the site of their first exhibition as the Group of Seven in 1920. The McMichael Canadian Art Collection was founded by Robert and Signe McMichael, who began collecting paintings by the Group of Seven and their contemporaries in 1955.

From Wikipedia (CC BY-SA 4.0).

The Group of Seven, once known as the Algonquin School, was a group of Canadian landscape painters from 1920 to 1933, originally consisting of Franklin Carmichael (1890–1945), Lawren Harris (1885–1970), A. Y. Jackson (1882–1974), Frank Johnston (1888–1949), Arthur Lismer (1885–1969), J. E. H. MacDonald (1873–1932), and Frederick Varley (1881–1969). A. J. Casson (1898–1992) was invited to join in 1926, Edwin Holgate (1892–1977) became a member in 1930, and Lionel LeMoine FitzGerald (1890–1956) joined in 1932.

Overview

The Group of Seven, once known as the Algonquin School, was a group of Canadian landscape painters from 1920 to 1933, originally consisting of Franklin Carmichael (1890–1945), Lawren Harris (1885–1970), A. Y. Jackson (1882–1974), Frank Johnston (1888–1949), Arthur Lismer (1885–1969), J. E. H. MacDonald (1873–1932), and Frederick Varley (1881–1969). A. J. Casson (1898–1992) was invited to join in 1926, Edwin Holgate (1892–1977) became a member in 1930, and Lionel LeMoine FitzGerald (1890–1956) joined in 1932. Two artists commonly associated with the group are Tom Thomson (1877–1917) and Emily Carr (1871–1945). Although he died before its official formation, Thomson had a significant influence on the group. In his essay "The Story of the Group of Seven", Harris wrote that Thomson was "a part of the movement before we pinned a label on it"; Thomson's paintings The West Wind and The Jack Pine are two of the group's most iconic pieces. Believing that a distinct Canadian art could be developed through direct contact with nature, the Group of Seven is best known for its paintings inspired by the Canadian landscape, and initiated the first major Canadian national art movement. The Group was succeeded by the Canadian Group of Painters in 1933, which included members from the Beaver Hall Group who had a history of showing with the Group of Seven both nationally and internationally. Collections Large collections of work of the Group of Seven are located at the Art Gallery of Ontario in Toronto, the National Gallery of Canada in Ottawa as well as the Ottawa Art Gallery (home to The Firestone Collection of Canadian Art) and the McMichael Canadian Art Collection in Kleinburg, Ontario. The National Gallery, under the directorship of Eric Brown, was an early institutional supporter of artists associated with the Group, purchasing art from some of their early exhibitions before they had identified themselves officially as the Group of Seven. The Art Gallery of Ontario, in its earlier incarnation as the Art Gallery of Toronto, was the site of their first exhibition as the Group of Seven in 1920. The McMichael Canadian Art Collection was founded by Robert and Signe McMichael, who began collecting paintings by the Group of Seven and their contemporaries in 1955.

From Wikipedia (CC BY-SA 4.0).

Not who you're looking for? Others named Group of Seven: international intergovernmental economic organization

Group of Seven across IJR

Ask IJR about Group of Seven Create in Studio Build a game Watch videos