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Death of a Salesman is a 1949 stage play written by American playwright Arthur Miller. The play premiered on Broadway in February 1949, running for 742 performances. It is a two-act tragedy set in late 1940s Brooklyn told through a montage of memories, dreams, and arguments of the protagonist Willy Loman, a travelling salesman who is despondent with his life and appears to be slipping into senility. The play addresses a variety of themes, such as the American Dream, the anatomy of truth, and infidelity. It won the 1949 Pulitzer Prize for Drama and Tony Award for Best Play. It is considered by some critics to be one of the greatest plays of the 20th century. The play was selected as one of the best plays of 1948–1949, with an excerpted version published in The Burns Mantle Best Plays of 1948–1949.
Not who you're looking for? Others named Death of a Salesman: 1966 British television drama film by Alan Cooke · 1951 film directed by László Benedek · 1985 American TV drama film by Volker Schlöndorff · 1966 American television drama film by Alex Segal
“I have made more friends for American culture than the State Department. Certainly I have made fewer enemies, but that isn't very difficult.”
“An era can be said to end when its basic illusions are exhausted.”
“I'm a fatalist. … I consider I am rejected in principle. My work is and, through my work, I am. If it's accepted, it's miraculous or the result of a misunderstanding.”
“Ben, that funeral will be massive! They'll come from Maine, Massachusetts, Vermont, New Hampshire! All the old-timers with the strange license plates — that boy will be thunderstruck, Ben, because he never realized — I am known! Rhode Island, New York, New Jersey — I am known, Ben, and he'll see it with his eyes once and for all.”
“Is the accuser always holy now? Were they born this morning as clean as God's fingers? I'll tell you what's walking Salem — vengeance is walking Salem. We are what we always were in Salem, but now the little crazy children are jangling the keys of the kingdom, and common vengeance writes the law! This warrant's vengeance! I'll not give my wife to vengeance!”
“Look, we're all the same; a man is a fourteen-room house — in the bedroom he's asleep with his intelligent wife, in the living-room he's rolling around with some bareass girl, in the library he's paying his taxes, in the yard he's raising tomatoes, and in the cellar he's making a bomb to blow it all up.”
Quotes via Wikiquote (CC BY-SA), each with its original source.