Overview
David S. Stuart (born 1965) is an archaeologist and epigrapher specializing in the study of ancient Mesoamerica, the area now called Mexico and Central America. His work has studied many aspects of the ancient Maya civilization. He is widely recognized for his breakthroughs in deciphering Maya hieroglyphs and interpreting Maya art and iconography, starting at an early age. He is the youngest person ever to receive a MacArthur Fellowship, at age 18. He currently teaches at the University of Texas at Austin and his current research focuses on the understanding of Maya culture, religion and history through their visual culture and writing system.
Early life
Stuart is the son of the archaeologist George E. Stuart and the writer, artist and illustrator Gene Strickland Stuart, both of whom wrote extensively for the National Geographic Society. He spent much of his childhood accompanying his parents on archaeological digs and expeditions in Mexico and Guatemala. There he developed a deep interest in Maya culture, especially their art and hieroglyphs, absorbing scholarly works beginning at age 10. Shortly thereafter he made original contributions to the field of decipherment and began working closely with the noted Mayanist Linda Schele, focusing on the art of inscriptions of Palenque. Stuart gave his first scholarly paper at the age of 12 at the 1978 Mesa Redonda de Palenque, an international conference of Mesoamerican scholars.
Research
Stuart is best known for his discoveries on the nature of Maya hieroglyphic writing from the 1980s to the present. By 1985 scholars had already generally recognized that there were two types of signs in the script: logograms (word signs) and syllables (consonant-vowel or CV). However, only a limited amount of Maya texts could be read in their original language, Classic Mayan, due to an imprecise understanding of the visual nature of the script, especially the ways signs formed and combined. Stuart demonstrated that signs could have a great many variants and forms, all visually distinct yet functionally equivalent. The recognition of the principles behind graphic variation and structure helped lead to a number of breakthroughs.
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