Overview
Camille is a 1936 American romantic drama film from Metro-Goldwyn-Mayer directed by George Cukor, and produced by Irving Thalberg and Bernard H. Hyman, from a screenplay by James Hilton, Zoë Akins, and Frances Marion. The picture is based on the 1848 novel and 1852 play La dame aux camélias by Alexandre Dumas, fils. The film stars Greta Garbo, Robert Taylor, Lionel Barrymore, Elizabeth Allan, Jessie Ralph, Henry Daniell, and Laura Hope Crews. It grossed $2,842,000.
Camille was included in Time Magazine's All-Time 100 Movies in 2005. It was also included at #33 in AFI's 100 Years...100 Passions. In Camille, Garbo received her second Best Actress nomination at the 10th Academy Awards in 1938.
Plot
Beautiful Marguerite Gautier is a well-known courtesan, living in the demi-monde of mid-19th century Paris. Marguerite's dressmaker and procuress, Prudence Duvernoy, arranges an assignation at the theatre with a fabulously wealthy prospective patron, the Baron de Varville. Marguerite briefly mistakes Armand Duval, a handsome young man of good family but no great fortune, for the baron. She finds Armand charming, but when the mistake is explained, she accepts the baron without hesitation.
Marguerite spends money carelessly, sometimes out of generosity, as when she bids a fortune on a team of horses in order to give an old coachman employment, but more often because she loves her lavish lifestyle and the late nights of dancing and drinking—and because she knows her days are numbered. She has consumption, which is a death sentence for anyone who lives as she does. She has bouts of severe illness, and during one spell, the only person who come to see her is Armand, bearing flowers (the baron contriving to be in England). She finds this out after she recovers, and she invites him to her birthday party (the baron having just departed for a long stay in Russia). During the party, Marguerite retreats into the bedroom with a coughing spell, and Armand follows. He professes his love for her, which is something she has never known. She gives him a key and tells him to send everyone home and come back later. While she is waiting for him, the baron returns unexpectedly. She orders Nanine, her maid, to shoot the bolt on the door. The baron, who is clearly suspicious, plays the piano furiously, not quite masking the bell. He asks who might be at the door and, laughing, she says, "The great romance of my life—That might have been."
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