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Amalia

Not who you're looking for? Others named Amalia: 1914 Argentine film produced by Max Glücksmann and directed · female given name · unincorporated community in Taos County, New Mexico, United · 1936 film by Luis Moglia Barth

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Amalia across IJR

In the Arcade

Landgrab: Amalia of Saxony EditionPaint the map. Hold the line. Take the world. Now starring the Amalia of Saxony parody.Landgrab: Archduchess Maria Amalia of Austria EditionPaint the map. Hold the line. Take the world. Now starring the Archduchess Maria Amalia of Austria parody.Landgrab: Maria Amalia of Saxony, Duchess of Zweibrücken EditionPaint the map. Hold the line. Take the world. Now starring the Maria Amalia of Saxony, Duchess of Zweibrücken parody.

Studio characters

Amalia UysOff script, off duty, unreasonably available.Amalia Pérez DíazThe late-night sketch version — live in your chat.Amalia VitaleOff script, off duty, unreasonably available.

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Overview

Amalia is a 19th-century political novel written by the exiled Argentine author José Mármol. First published serially in the Montevideo weekly, Amalia (1851) became Argentina's national novel. Along with Domingo Faustino Sarmiento's Facundo, Amalia can be seen as an early precursor to the Latin American dictator novel through its strong criticism of caudillo Juan Manuel de Rosas, who ruled Argentina with a strong fist from 1829 to 1852. Set in post-colonial Buenos Aires, Amalia was written in two parts and is a semi-autobiographical account of José Mármol that deals with living in Rosas's police state. Mármol's novel was important as it showed how the human consciousness, much like a city or even a country, could become a terrifying prison. Amalia also attempted to examine the problem of dictatorships as being one of structure, and therefore the problem of the state "manifested through the will of some monstrous personage violating the ordinary individual's privacy, both of home and of consciousness." See also Amalia (1914 film) Amalia (1936 film)

From Wikipedia (CC BY-SA 4.0).

Amalia is a 19th-century political novel written by the exiled Argentine author José Mármol. First published serially in the Montevideo weekly, Amalia (1851) became Argentina's national novel. Along with Domingo Faustino Sarmiento's Facundo, Amalia can be seen as an early precursor to the Latin American dictator novel through its strong criticism of caudillo Juan Manuel de Rosas, who ruled Argentina with a strong fist from 1829 to 1852.